TALES OF HALLOWEEN

Tales of Halloween Movie Review

 It's Halloween Night in the 'burbs, and there's madness around every corner. Adrienne Barbeau seemingly reprises her DJ role from The Fog, and she's with us for this ride, introducing many of the stories we are about to see. Ten segments make up this 2015 horror anthology, so let's get right into it. 

Sweet Tooth

Our first story shows a couple teens picking on a kid, letting him know that if he doesn't leave some of his candy for local legend Sweet Tooth, the creature will seek revenge. 

"Make it a full-sized Snickers"

We get a ton of gore to start us off, and a fairly interesting story to boot. The acting is shaky (that's being nice), and the flashback scene is more irritating than anything. Still, this was a solid start to the film, and it left me wondering how Sweet Tooth would do as a standalone feature film. 

The Night Billy Raised Hell

Mr. Abbadon (Barry Bostwick from The Rocky Horror Picture Show) catches young Billy in the act of egging his house. He brings Billy into the house, and takes another youngster in the same outfit for a night of terror around the neighborhood. 

Looking for their next victims

This one is heavy on the comedy, but unfortunately, isn't really funny. It's not particularly scary either, but sort of redeems itself with a little twist ending. The one thing that stands out about this entry is the lighting--it's fantastic.

Trick

Four adults are terrorized when a group of kids invade their home. This outing starts off slowly, as we are briefly introduced to the adults--this is just long enough to find them uninteresting, and slightly annoying, but that is strangely the point (it makes sense, trust me). Why are the kids doing this?

The why is just out of the shot here

If The Night Billy Raised Hell took the foot off the gas for this movie, Trick pressed it back down. The segment is vicious, gory, and has a fantastic twist at the end. 

The Weak and the Wicked

A boy dressed in a home-made superhero outfit and sporting a stopwatch stops three bullies from torturing a young boy, telling them he is there to "spill the blood of the wicked". When confronted by the bullies, our hero gets scared and runs away. Is he running out of fear, or for another reason?

Tick tock

Once the bullies catch up with the fleeing fella, we get a flashback scene, and learn who these four people are--to say they have a history, and that the Viking-helmeted hero has a very good reason for seeking revenge, is an understatement. The ending of this story is bloody and terrific. This was probably my favorite segment in this movie. 

Grim Grinning Ghost

An older lady (Lin Shaye of the Insidious franchise) tells the story of Mary Bailey, a girl who was made fun of her entire life for having a deformed face. The story goes she comes back from the dead to laugh at the living behind their backs. The lady's daughter gets creeped out, and when she has to walk home after her car breaks down, she thinks she is hearing laughter, sending her into a near-panic. 

As if this walk wasn't scary enough

This segment will leave you feeling a little on edge, as the tension is built quickly. The payoff is one you will see coming, and will miss if you blink it, but is one that is satisfying. The real question is how long will it be before Disney finds out about the title of the segment and puts together a lawsuit?

Ding Dong

A woman is distraught about not having children, making Halloween a night of misery for her. She turns into a demonic looking witch, and unleashes the fury on her poor husband, clawing his face. A year later, on Halloween Night, they are dressed as Hansel and the witch from Hansel and Gretel, and excited to be handing out candy. Side note: as I watched this, I was trying to figure out who the actress is. It turns out she's Pollyanna McIntosh, known as Jadis to fans of The Walking Dead.

What did you do with Rick?!!

The approach of this segment is almost exclusively that of comedy, so don't look for any scares here. This story is not really funny, but certainly very quirky, and entertaining enough that you will keep watching. 

This Means War

A traditional Halloween fan is dismayed when new, loud neighbors (including James Duval) decorate their yard with gory effects and loud, heavy metal music. The man gets furious over the loud music, and the battle is on!

John the Mod goes metal!

I don't know why the guy was so upset--while certainly no fan of most metal, I would happily take that over the "music" my neighbors feel the need to share with the rest of the neighborhood. This is another segment that forgoes any bit of horror for a straight comedic approach, but there's really not much to it. The eventual fight is uninspired, and the finale is not unexpected. There is a dude in the crowd who looks like The Blue Meanie though, so there's that.

Friday the 31st

This one starts off with a woman running from a deformed guy (or a regular looking guy in a cheap mask...whichever) carrying a severed head. She ends up in his shed, where she finds he has a collection of heads. She escapes, only to be killed when he tosses a spear about thirty yards and directly through her. This obvious nod to slasher films then takes an unexpected turn when a U.F.O. flies over, and out of it appears a small alien looking to do some trick or treating.

Seriously

What starts off as a horror approach takes a quick turn to comedy when the little green guy shows up, and stays there until the end. It actually produced a moment, soon after the alien crawled into the woman's mouth, that made me laugh loudly, but it went south quickly from there. The segment ends with a showdown that reminded me of Freddy vs Jason, or a Monty Python bit. This segment started strong, but unfortunately, fell apart. 

The Ransom of Rusty Rex

Two crooks decide to kidnap the child of a millionaire. Once they have him and remove his Halloween mask, however, they realize they have picked up more than they bargained for. For some reason, when I saw the reveal, the first thing I thought of was the cover boy of 1980's tabloid magazines, but he was actually played by the late Ben Woolf from American Horror Story.

Rusty...not Bat Boy

Speaking of the 1980's, director John Landis has a cameo in this one, playing the aforementioned millionaire. This one is also much more comedy than horror, but lacks any laughs and is just kind of there.  

Bad Seed

A jack-o-lantern comes to life and bites its maker's head off. Now the police are searching the town for it.

I think she found it

Another legendary director, Joe Dante, pops up in this one. More than anything, this segment ties the rest together. The killer in this one, of course, looks ridiculous, but the pumpkin display it hides in looks cool, and the final shot is impressive. Unfortunately, this wasn't a great story to end the movie with. 

Honestly, Tales of Halloween was a fun watch. While not on the scale of the great horror anthologies such as Trick 'r Treat or Creepshow, it is certainly better than most similar movies, especially the ones that have come out the past 30 years. It would have benefitted from more horror and less comedy--that said, nothing here is so bad it's unwatchable, and the better segments are quite enjoyable. One thing I really loved about this movie is it truly captures a Halloween feel. We have seen countless movies that are set during Halloween but don't deliver that feeling of it--this movie nails it in this department. Also be on the lookout for references to other horror films, as this is full of them. It may never become a go-to every Halloween for me, but I can say my first viewing of Tales of Halloween won't be my last.

On A Scale Of One To Ten: 7

Tales of Halloween Movie Trailer

THE BEAST WITH A MILLION EYES

The Beast with a Million Eyes Movie Review

A strange object crashes in the desert, near the home of the Kelley family. Soon after, animals, then people, begin behaving strangely, and seem to be on a mission to destroy the family. Based just on that short summary, we get the sense there's a lot going on with this 1955 "classic", but alas, it's not nearly as exciting as it sounds. The animals are almost exclusively of the stock footage variety, and their actions are less menacing and more mundane. But hey, if you like the footage, you will get a lot of it both at the start of the movie, then again throughout it. If you are expecting to actually see a beast sporting a million eyes, you're out of luck there, too--the title seems to reflect the alien's abilities to control other life, so through their eyes, the alien has a million eyes...or something. Speaking of our alien beast--while we hear his narration in the beginning, we get only a brief look at him, it's not until the end of the film.

I won't make you wait that long

In between our hello to the alien, and our inevitable goodbye, we see the spaceship in the desert, and every time we do, it makes an ear-piercing sound that will give you the sense your brain is vibrating. We get to know the family--for better or worse--and are treated to some hilariously bad dialogue--the exchange between the alien and Allan at the end is side-splitting, as the human preaches the idea of "all you need is love" a full twelve years before The Beatles did. This is concluded with the alien saying that notion is nonsense, getting frustrated, doing...something (I have no idea what) and flying back into orbit in his spaceship in what is a gloriously awesome shot. There are a lot of fun, entertaining, and even good science fiction films from the 1950's...The Beast with a Million Eyes is not one of them.

On A Scale Of One To Ten: 4

The Beast with a Million Eyes Movie Trailer

BEHIND YOU

Behind You Movie Review

After their mother dies, sisters Olivia (Addy Miller) and Claire (Elizabeth Birkner) go to live with their Aunt Beth (Jan Broberg). Once there, they find the house holds a demon, safely contained within the mirrors of the basement. Beth tells the kids to stay out of the basement, which, naturally, is an invitation to go on down there and unleash evil upon everybody--this is done by repeating certain words three times (no, it's not Beetlejuice, Bloody Mary, or Candyman). That's the premise of this 2020 film, and if you have watched even a little bit of horror in your life, you know this isn't exactly an original story, so you won't be watching it for that. I guess what you hope is they bring at least something new to the table--this movie really doesn't, outside of maybe using one of the 21st Century's great killers to stop the demon.

NOOOOOO!!!!!!

You'll get just about everything you expect from this film--the brief glimpses of the demon, the jump scares, the creepy girl (Claire), the obvious questions (why not just destroy all the mirrors?). Something else you get is something you may not expect--decent acting. Birkner, who looks like a young version of Ghost from Ginger Snaps 2, does a good job as both the silent, grieving girl and the possessed, scary girl. Broberg, Philip Brodie, and Aimee-Lynn Chadwick of Return of the Living Dead 4 fame all turn in impressive performances as well. Miller is a step down from everybody around her, but she's not terrible by any means. Oh yeah, you may not recognize her while watching this, but if you're a fan of The Walking Dead, you've seen her before.

Claire takes over bunny duty in this movie

Casting has to be given a little credit for something else here--how many times do we see a movie that has siblings, but the actors chosen to play the roles look nothing alike? Yes, this can happen in real life (nobody ever believes my brother and I are, in fact, brothers), but more often, you can see at least some resemblance--Birkner and Miller actually do look like they could be sisters.

I'm convinced

There is nothing much in the way of horror happening for most of the movie, but the story still manages to move along nicely. Once we get to the scares--well, there's nothing really scary, but there is a slight bit of unexpected bloodshed. The ending is unremarkable--much like with the rest of the movie, it's nothing we haven't seen before, and is something you will see coming. Behind You isn't a bad film--it's just one that is destined to be lost in a sea of a million other movies just like it.

On A Scale Of One To Ten: 5

Behind You Movie Trailer

THE HILLS HAVE EYES PART 2

The Hills Have Eyes Part 2 Movie Review

Set seven years after the events of the original The Hills Have Eyes, this one has survivors Bobby (Robert Houston) and Rachel (Janus Blythe) heading a motocross team that has a race in the desert...the same desert where Bobby's family was butchered and eaten by Rachel, then known as Ruby, and her family. Bobby says no thanks, but Rachel leads a group of victims, and they soon come across the remaining cannibals. If you are a fan of the original film and are hoping this one lives up to what Wes Craven brought us in 1977, you'll almost certainly be disappointed. The story goes that this was in production, then shelved, and Craven moved on to create the classic A Nightmare on Elm Street. After the success of that movie, production kind of came back together for this sequel, except Craven was told no more shooting could be done, and to throw something together with what he already had. There wasn't enough footage to make an entire movie, so the holes were filled in with a lot of flashbacks from the first film, including a dog flashback...seriously. Beast, the survivor dog from the first film, is back, and he has flashbacks from the first movie. 

"The year was 1977..."

Remember how the original movie was brutal, gritty, and so chilling it was uncomfortable at times? That's pretty much gone in this movie, traded for a more conventional slasher approach--worse, there are many elements of comedy thrown into this one. Along with the return of Blythe and Houston, Michael Berryman also reprises his role of Pluto, and we get the rematch nobody at all waited for when he faces off with Beast once more. There's really not a lot going for The Hills Have Eyes Part II--I dig any scenes with a desert setting, some of the death scenes are mildly interesting, and you have to love Berryman, but these alone are not reasons to watch this movie. It had been years since I last saw it, and I forgot just how uninteresting this movie is. Berryman said it's a bad movie, and Craven disowned it. That says everything you need to know about this flick. 

On A Scale Of One To Ten: 4

The Hills Have Eyes Part II Movie Trailer

MAUSOLEUM

Mausoleum Movie Review

Ten-year-old Susan (Julie Christy Murray, in the only acting gig she has done to date) wanders into a mausoleum at her mother's funeral. Once there, she becomes possessed by a demon who has had it out for the girl's family for a long time. 

She ends up with some groovy eyes too

We catch up with Susan (now played by Bobbie Bresee, who would turn up in bit parts in classics such as Ghoulies and Surf Nazis Must Die) twenty years later--she's married to a guy who looks like a cross between Daniel Stern and Larry Bird, and the demon is beginning to take over again. 

She still has the eyes

As it begins, this film absolutely screams "made for television", but when we see the dude get half his head blown off, we know this isn't the case--this one actually began shooting in 1981 and received a theatrical release in May 1983.  If you can get past the ultra-cheesy opening, the movie gets...well, it stays cheesy really, but turns out to be very entertaining. We find the green eyes of doom indicate the presence of the demon, and that it can do cool things, such as manipulate inanimate objects and tear a person inside out. The demon voice is also done surprisingly well here. The acting is fine--while nobody was recognized for their outstanding performance, none of it is too bad either. Bresee is okay while in demon form, as she is able to contort her face in naturally creepy manners. When she not a demon, she's usually naked and seducing men to kill them when she does take the demonic form. The demon itself changes often, going from minor touches, such as the eyes, to being some grotesque makeup, to a complete mask, to a total transformation using multiple shots layered on top of each other, to having monster faces for boobs.

Because I know you think I made this up

As you can imagine, there is plenty of blood in this one; harder to believe is the practical effects are, for the most part, acceptable. We get more 1980's awesomeness when Susan makes her way to a mall, because nothing really quite says 1980's like a packed shopping mall. One scene here has a man being suspended over the railing of the third floor and falling to his death below--the shots switch from a wide shot of the falling body going straight down, to a point of view shot, where the camera is spinning wildly...think about that one. We also get many shots of a glowing green light that will remind you of both Raiders of the Lost Ark and Pulp Fiction. The final scene is baffling, and honestly, a rather sizable letdown, but it's lack of sense makes it fit in nicely with the rest of the movie. I have often made the argument a movie does not have to be good to be enjoyed--Mausoleum is certainly not a good movie, but wow, I sure did enjoy it! 

On A Scale Of One To Ten: 7

Mausoleum Movie Trailer

DRACULA

Dracula Movie Review

Real estate agent Renfield (Dwight Frye, The Bride of Frankenstein) visits a mysterious man named Count Dracula (Bela Lugosi). Renfield soon falls under the control of Dracula, who is a vampire (and if this is a spoiler for you, you may be on the wrong website right now), and they make their way to London. Once there, they team up to search out victims for the Count, eventually leading to a woman of particular interest (Mina Seward, played by Helen Chandler) and Van Helsing (Edward Van Sloan), a man who knows Dracula's secret. Released in 1931, this is the oldest of the non-silent "Universal Monster" classics (it is predated by The Phantom of the Opera, by six years), and is largely credited with bringing horror to Hollywood (though other horror films had certainly been made by this time). It inspired many, many vampire movies to come, and gave us the look many think of when they picture a vampire.

Yeah, this is it

While this picture does give us almost everything we expect to see in Dracula--the stare, the pale skin, the jet black hair, the cape--many may not know there is one thing we do NOT see from the Count in this movie--fangs. While implied the two sharp biters are there, we never actually see them. Also of interest--while practically every vampire movie made after this one acknowledges vampires can turn into bats, this one reminds us their shape-shifting is not limited to just the cute-faced, winged creatures--Dracula also transforms into a wolf, something not seen nearly as often in the years to come. This movie, obviously, is the defining moment in Lugosi's career, but Frye steals the show as Renfield, shifting comfortably from the laid-back demeanor of the character at the beginning to the lunatic he becomes. The rest of the performances are so-so, with nothing standing out as especially good or bad. Visually, the movie is a likely a step down from what you may expect--the sets are fine, and we know to expect flying rubber bats, but the directing and lighting leave a bit to be desired. Still, Dracula is an absolute classic--though not my favorite of the Universal Monster movies, it is still one that I always enjoy watching, and is one everybody--horror fan or not--should check out. 

On A Scale Of One To Ten: 7

Dracula Movie Trailer

WEREWOLVES ON WHEELS

Werewolves on Wheels Movie Review

A biker gang comes across a group of Satanic monks, resulting in werewolves. No, there's not a typo in there anywhere, and I didn't dream this one up. This really is the basic premise of this 1971 movie that combines the horror genre with the ever-growing 1970's biker gang genre (I'm not making that up either). If you've never watched a biker gang movie, they are often filled almost exclusively with bikers riding around, smoking weed, drinking beer, and causing mayhem--this movie has plenty of that going on, including using real bikers, but there's also a lot of bikers frolicking and hugging each other as they roll down hills. 

I'm not making this up either

The movie certainly leans more toward biker flick than horror film, and when the werewolves are revealed, they are far from scary, but wonderfully simplistic. 

This beats CGI all day, every day

Sure, this movie is shot on the cheap, but honestly, there's tons to love about it. If you are a fan of the desert (as I am), you will love the locations. The music is good as well, capturing that early 1970's folksy-type sound. The dialogue will not do much for you, but it may provide a laugh, especially when the Satanic leader is explaining how and why he is setting up his ritual as if he is making a how-to video. You may also delight in the "wisdom" dispersed by Tarot, the resident biker guru. This being 1971, there's a good chance many of the people involved in making this movie were on drugs, and this shows through in this movie. Some of the stranger scenes feature the bikers and Satanic monks engaging in the one of the weakest looking fights you'll likely ever see, a mysterious cloud and wind swallowing the bikers and dumping them on sand dunes, and a biker chick who looks like she could be Diane Lane's mom beginning her transformation into a werewolf by...dancing with a snake.

She dances badly too

The most unfortunate thing about this movie is, despite the title, there are very few werewolf sightings, and when we do see them, it's brief. Make no mistake--this is not a good movie by any stretch, and almost everybody who watches it will dislike it; that said, if you are into 1970's B movies, this one is must-see, and had a lot of fun watching it--and I'm not making that up.

On A Scale Of One To Ten: 7

Werewolves on Wheels Movie Trailer

THE REJECTED

 

The Rejected Movie Review

A middle-aged man experiences strange happenings at night, so he sets up cameras to capture whatever is taking place--think Paranormal Activity, but with less complex equipment. What is happening to this guy isn't the work of ghosts or an evil spirit, however--are you ready for this surprise? IT'S ALIENS!!...oh wait, you're right. The picture above gives that away. The presentation of this is one that claims this is discovered footage, and it's all real...think The Blair Witch Project here. There are practically no credits at the end, as they are limited to a 2018 copyright to the company POV Horror. Like so many movies that have come out before it, what we see is the found footage put together to kind of tell a story. For much of this movie, we see the result of two different cameras rolling at the same time. 

Whole lotta this goin' on

This movie suffers from the same things almost every other found footage movie suffers from--at the forefront of this is the fact the person shooting the footage continues to do so, even while in extreme peril. Call me crazy, but if I have aliens abducting me, my first thought will not be to grab my phone so I can document the entire event. The acting is almost exclusively from the mystery man--we don't know who he is, as, again, there are no credits, and it seems the makers of this movie have gone to lengths to keep this film off IMDb as well, so don't go there for answers. Whoever the guy is, he does a decent job, but is in no way strong enough to carry a movie himself--his acting in the scene where he is supposed to be crying was painfully bad. The special effects are really not too bad for what must have been practically no budget, so some credit has to be given there. While there are some uneasy moments in the movie, the whole thing falls apart in the last 15 minutes. The Rejected turned out to be a little better than I expected it to be, but I had the bar set rather low from the start. This is certainly not a movie I would recommend going out of your way to find. 

On A Scale Of One To Ten: 4

The Rejected Movie Trailer

THE LEGEND OF HALLOWEEN JACK

The Legend of Halloween Jack Movie Review

Alleged killer Jack Cain (William Wolfe Hogan) avoids prosecution due to a technicality. Now the families of the two children he is accused of killing seek out vigilante justice. A year after being killed by the group, Cain returns, looking like a wicked scarecrow meets the killer from Smiley, and he's out for revenge! 

I really need to review Smiley some day

This 2018, which certainly found much inspiration from Dark Night of the Scarecrow, comes from Wales, UK--I may be off on this, but I have always pictured Wales being to the UK as, say, Arkansas or Kentucky is to the United States--I think this movie may back this theory, as the dialogue is as dreadful as listening to a conversation between a couple locals from either of those "fine" states. The movie starts off hot, with clips from legendary public domain films such as Nosferatu, White Zombie, The Cabinet of Caligari, Night of the Living Dead, and Carnival of Souls. Most unfortunately, seeing clips of other movies is the best thing about watching this one. The scares are none. The blood and gore are little, with most killings taking place off screen. If you catch this on Tubi, you will see the rating TV-14, but there's lots of profanity in this one, so parents beware--this would be a solid R rating in the United States. There's several attempts at humor throughout, but it all falls flat. Perhaps worst yet, this movie introduces the world to the worst Halloween party any movie has ever seen--it's about 6 dudes in the lamest Halloween costumes a couple quid could buy. There is a slight bit of a twist, and seeing the people who killed Jack try to cover their tracks was mildly interesting, but otherwise, there's nothing to see here. 

On A Scale Of One To Ten: 3

The Legend of Halloween Jack Movie Trailer

BLOOD WIDOW

Blood Widow Movie Review

 A young couple moves into a new house. They soon throw a party, and many of the folks at it find their way to a mysterious house next door. What they don't know is a sadistic killer is hiding out there. This 2014 film is brought to us by a few grads of Full Sail University, which is right up the road from where I live. People in Central Florida who moved here expecting to start a career in the production world know Full Sail students as the people professionals turn to, as they will do almost anything for college credits--so the people producing projects get out of paying for work they should be paying people to do, Full Sail students get experience and, if they're lucky, credits for work they should be getting paid to do, and people who already have degrees (including Full Sail graduates) end up getting no work at all...not that I'm bitter or anything...

Anyway, director Jeremiah Buckhalt had just graduated from the school and gathered up a bunch of fellow students and some friends, and about $65,000, to make this little horror flick. The movie opens well enough, but once we meet the couple, and worse, their friends, our hopes for this movie diminish...but hang in there. The acting is abysmal. To get enjoyment from this movie, you really have to work hard to get past that. The killer will help you with this, as she looks really cool.

Don't ask how she got though that window

Who or what is Blood Widow? Who knows...moreover, who cares? She unleashes tons of carnage, so it really doesn't matter. There's loads of blood and gore in this movie, so if you're into that, you'll want to track this movie down. Some of the effects used look great...others look so bad and fake you'll laugh, but in a good way. Unfortunately, between the death scenes, there's not much happening to keep your attention. You will want to stick around for the final scene, however--it's unexpected and really very against the grain--when you see it, you will not be surprised to find there is a sequel in the works--look me up if you're shooting in Florida again (but note, I don't work for college credits or to see my name on IMDb).

On A Scale Of One To Ten: 5

Blood Widow Movie Trailer

JENNIFER

Jennifer Movie Review 

Jennifer Baylor (Lisa Pelikan), a poor girl from West Virginia, attends Green View, an all-girls school overrun with snobs in both the student body and the faculty, and almost all of them pick on Jennifer. What they don't know about Jennifer is she has a special connection with snakes; she can handle and control them, a power she hates, but one her father (Jeff Corey) wishes she would embrace. Naturally, after taking the bullying for too long, Jennifer snaps, and gets her revenge in sweet, slithery fashion!

"ssssic 'em"

 If you are a long-time reader, you know I often talk about watching horror movies with my Mom when I was a kid. There are many films that remind me of those days--Creepshow, Carrie, Sssssss, and Fright Night are just a few that come to mind, but more than those, and more than any other film, when I think of watching horror movies with my Mom when I was young, I think of Jennifer. I can recall waiting up at night for her to get off work--she would come home with a movie for us to watch, and many times, Jennifer was the choice. As the years went by, this movie became harder to find, and seemed to vanish from the face of the planet. I went many years without watching it, until my girlfriend found it on VHS on eBay several years ago and surprised me with it. I backed it up on DVD, and last night I went to watch it, only to find the DVD missing. Undeterred, I took the VHS (the last, and now only, VHS tape I still own) off the shelf, dug my VCR out from the back of the closet, hooked it up, and popped the tape in...it still plays great! 

Here it is! 

I am honestly shocked I have been doing these reviews for more than ten years now and I have never done a review of this movie. If you have heard of this film, there is a good chance you have heard it referred to as a ripoff of Carrie--this is a fair statement. I have no doubt whatsoever that movie inspired this one, but there is enough going on here to separate it from that classic as well. Pelikan's performance, in my eyes, is on par with Sissy Spacek's in Carrie. I am very surprised Pelikan did not go on to more stardom after this movie--while she did appear in a handful of movies and television shows over the years, she never did reach the level she had the potential to. Corey is also good as her father, and if you watch this and think to yourself "This guy seems like a cross between Harry Dean Stanton and Sam Elliot", you're not alone. Amy Johnston as lead mean girl Sandra is fantastic in her role, and she throws a little intertextuality at us--she mentions not being impressed with John Travolta when they met. Fans of the television show Welcome Back, Kotter will recognize Johnston as Cassy from the two-part "Barbarino In Love". Cassy had a failed relationship in that two-parter with the aforementioned Barbarino, played by, you guessed it, John Travolta. 

This could have been you, Vinnie

One of the real strengths of this movie is the pace. It moves quickly, and the bullying doesn't become particularly repetitive as it does in many other movies. There are also several unexpected moments, including the bullies turning on one of their own. The music is shaky--there is an original song used for the opening, and it's...rough. If disco is your thing, there is a very catchy song playing during the club scene--it's not my cup o' tea, but my girlfriend loves the song. One thing that baffles me about this movie is the rating--I know things were different in the 1970's, but this one is rated PG, despite having plenty of profanity, a fair bit of nudity, and, you know, snakes killing people. I am certain this movie would get a solid R rating if it were released today, so keep that in mind. I don't know if this has ever been restored, but my VHS viewing experience was a film transfer, complete with scratches and cigarette burns, and I absolutely love this presentation. The ending feels a little rushed, and the bright lights everywhere are something I could have done without, but it is still wonderful, and you will cheer out loud for it. I will admit I hold some sentimental bias with this movie, but if last night was the first time I had ever seen this movie, I would still love it and give it a full recommendation.

On A Scale Of One To Ten: 9

Jennifer Movie Trailer