Sylvian (horror legend Tony Todd) is a three-hundred year old vampire who has hired a genetic scientist (Delia Sheppard) to come up with a cure for his condition. The serum fails, and now vampires are wreaking havoc in, you guessed it, Las Vegas. The movie starts off with shots on and around The Strip in Vegas--as this is one of my favorite cities, I very much enjoyed this opening--unfortunately, it was all downhill from there.
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- PUBLISHED: "From the Black Chair: 365 Horror Movie Reviews"
- TOP 13: THE HORROR MOVIES OF 2010 - 2019
- HALLOWEEN HORROR NIGHTS 2019 REVIEW
- HALLOWEEN HORROR NIGHTS 2018 REVIEW
- HALLOWEEN HORROR NIGHTS 2014 + A LOOK AT HHN 2015
- MICKEY'S NOT-SO-SCARY HALLOWEEN PARTY 2018 REVIEW
- UNIVERSAL'S DARK UNIVERSE
Thursday, June 17, 2021
VAMPIRE IN VEGAS
Saturday, February 13, 2021
BREAKDOWN LANE
Kirby (Whitney Moore of Birdemic fame) breaks down in the middle of nowhere. While waiting for a tow truck, a zombie outbreak takes place, and now it's a fight for survival! That sounds fairly interesting, but wow, is any hope for this movie ever taken away almost immediately! Kirby is instantly unlikable, and she does nothing along the way to change this. She is rescued momentarily by a group of rednecks, but, you know, being rednecks and all, it's not long before they start talking about how they have to breed to keep the species alive, and how they must feed on the dead in order to survive--keep in mind, the outbreak started earlier the same day. They inevitably try to rape Kirby, who fights them all off, killing all but the leader (wonder if she'll run into him later?). She does have one pal during this journey. His name's Max, and he is the customer service rep she initially called for tow truck help/verbally assaulted--she'll find him later, too. Kirby has a drug addict boyfriend back home, and when we finally see Max, he looks a lot like her current dude. There are religious nuts. We have bland dialogue. He get scene after scene lifted from previous movies and television shows with zombies. Kirby eventually goes all Rambo, with automatic weapons, a headband, blah blah blah.
The acting is atrocious. The lighting is awful. The CGI is poor, and at times (especially near the end) it looks like we're watching a video game. Instead of traditional transition shots, we get what appears to be comic strips of the action, and sadly, this very unoriginal idea is the best part of the film. We get to the end and, still not made to care the least bit for the lead character, we are left disappointed that Kirby wasn't slowly killed by the zombies. There are not many movies I have watched and found absolutely no enjoyment or entertainment in--if not for the comic strips, Breakdown Lane would be one of them. This movie is just horrendous, and not in a fun, Birdemic way.
On A Scale Of One To Ten: 2
Monday, July 1, 2019
WATCH IF YOU DARE
Watch If You Dare is a horror anthology film. Unlike many of the classics (such as Creepshow and Twilight Zone: The Movie), this one does not have a wraparound story, and the individual entries are not linked in anyway--this movie just jumps right in with the first story, so let's do the same thing here.
A hair stylist named Claire has one final client for the day, and she decides to drug and scalp her. Does she do this because she's jealous of the woman? Does it have to do with the scar on her neck? Has she been in the service business too long and is just sick of people? Who knows. We do find out, however, this is not the first time Claire has done this, as she has a small collection of scalp wigs at home. There is some blood during the scalping scene, but what will probably stick in your mind after watching this segment is the horrible bald cap they used on the victim.
Some crackhead looking dude kills people to cut off their tattoos, which he then sews onto himself after cutting his own skin away to make room for them. Why does he do this instead of just getting a tattoo? Your guess is as good as mine, as this is never answered. In fact, there's barely any dialogue at all in this one. This segment only serves to up the gross out factor as we see the killer cutting his own skin off, and noticing the weird discharges coming from his sewn-up new skin. As for the kills, forget it--we don't actually see them.
The anthology takes a more comedic turn with this segment--the problem is, it's not funny in the least. The story is a guy gets invited to an exclusive dinner, where he becomes the main course. This is presented as a twist, but you know it's coming long before it's revealed. Foodies looks a lot like one of those poorly made workplace videos you have to sit through at your job, and this drags on just as long. Once we finally get to the end of the story, we get the second twist--another one you will sniff out if you're paying even a little bit of attention. This is the worst of the segments, and believe me when I tell you that's really saying something.
A guy is told to go into a house to face the reality that the monster he has always feared isn't real. It is, and the monster bites off his genitals. That's literally all that happens in this segment, which also goes for comedy but fails miserably. At least this outing is mercifully short.
Watch If You Dare, the worst horror anthology I have ever watched (that's also saying a lot). The stories are all poor, the acting is terrible in all three, and there is nothing even remotely interesting about anything we see. This movie was advertised as the most disturbing film of 2018--the only thing disturbing about this movie is that is was actually made.
On A Scale Of One To Ten: 2
Friday, April 7, 2017
A LURE: TEEN FIGHT CLUB
On A Scale Of One To Ten: 2
Saturday, November 13, 2010
DOMINIQUE
Millionaire David Ballard (Cliff Robertson) is haunted by the ghost of his recently deceased wife Dominique (Jean Simmons), who he had tormented during her life. This is a really, really boring, and overall terrible, movie. The dialogue is a joke, it moves miserably slow, the acting is bad (and not in a good way) and little to nothing actually happens throughout. The end is somewhat decent, or maybe it just appears to be compared to the ninety minutes leading up to it. The only thing remotely interesting about this movie is the lighting, which is often all red, blue, or green. Also, it was transferred from reel to reel, which adds a touch that I personally enjoy, but none of these things make this film is remotely worth watching--avoid Dominique at all costs.
On A Scale Of One To Ten: 2






