1BR

1BR Movie Review

Sarah (Nicole Brydon Bloom) thinks she has found the perfect one bedroom apartment--what she doesn't know, however, is being a part of this complex community means more than saying hello as you awkwardly pass your neighbor. For whatever reason, I seem to be stumbling across these cult community movies lately (The Sacrament and Midsommar are examples)--with those two movies, I knew going in what to expect, but with 1BR, which my girlfriend chose from Netflix, I wasn't sure what I was getting into. Of course, as soon as you see everybody at the apartment complex being nice and helpful to each other, you know there must be something odd going on.

This has cult written all over it

This movie does a good job building tension--what starts as a slow-burn approach turns up the intensity quickly in a fairly unsettling scene (poor cat), but unfortunately, it fails to hold this tension, and the scares all but disappear as the story unravels. Once Sarah learns what is happening, the movie goes into cruise control, and we crawl to the finish (more on that later). Bloom does a decent job with her role, and the rest of the cast is fair as well--there are no fantastic performances, but none that are horrible either. While there is not a lot of blood and guts, the violent scenes are certainly ones that will grab your attention. I would have liked to have seen more development with the characters who were already a part of the community, but no such luck. The action finally picks back up when Sarah inevitably attempts her escape--the final ten minutes are enough to bring the movie up a point, and the final scene is quite memorable. If you find yourself scrolling through Netflix and come across this movie, give it a shot--you can certainly do worse on that streaming service. 

On A Scale Of One To Ten: 6

1BR Movie Trailer

WE SUMMON THE DARKNESS

We Summon the Darkness Movie Review

Back in the 1980's, there was this irrational fear that swept the United States--the story was that teenagers were listening to heavy metal music, worshiping Satan, and committing ritualistic murders. Any of these three actions alone is bad enough but combine them, and we have some real trouble! What We Summon the Darkness does is takes this real-life (largely) urban legend, replaces the Beavis and Butt-Head type metalheads with three chicks, and adds a Christian-lead agenda to the whole mess. While this may sound fun on paper, the delivery leaves a lot to be desired. The profanity-laced dialogue is most disappointing--filled with mind-numbing conversations and failed attempts at humor, nothing any of the characters say will make you care about them in the least. Speaking of the characters--they look like they could be Fairuza Balk's daughter...

...Colin Farrell's son...

...Abigail Breslin's sister...

...and Johnny Knoxville's father...

Wait...that IS Johnny Knoxville!

Speaking of Johnny Knoxville, he turns in the best performance in this movie--this sentence speaks volumes to the level of acting from the rest of the cast. As the film starts, none of the six primary characters are convincing, and they get even worse when the blood starts to spill and the over-acting begins. There is a fair bit of gore, but unfortunately, the CGI in some scenes is so bad you will laugh out loud--pay particular attention when the cop gets shot and when one character's hair catches on fire. If you're looking for some good 1980's metal...let's be honest; not a lot of that exists in the real world, and there is none in this movie. Making matters worse is the level of stupidity the characters exhibit--how hard would it have been to move the towels out of the way?! Unintentional hilarity, if nothing else, will keep you going through this movie, with my favorite being the character flying through the window after tripping over another character's arm--it's not quite on the level of the ending of The Galaxy Invader, but it's not far off. I also have to give kudos for the use of the T'Pau song "Heart and Soul", a somewhat forgotten gem from the 1980's, in the closing credits. We Summon the Darkness is a movie you will make it through, but not one you will likely enjoy while doing so.

On A Scale Of One To Ten: 4

We Summon the Darkness Movie Trailer

THE SACRAMENT

The Sacrament Movie Review

Patrick (Kentucker Audley) is joined by two guys from an alternate news company called VICE as he searches for his sister Caroline (Amy Seimetz, Pet Sematary) at a place called Eden Parish. What is Eden Parish? It's a commune. This is a horror movie. We, as horror fans, know that when you see a commune in a horror film, there's going to be some weird going on, but maybe not necessarily evil or bad. We then meet the leader, Father (Gene Jones), and find out he speaks words from The Bible. Now that we have a Christian in a horror movie, we are SURE evil is happening, and the religious dude is the villain.

There's also a creepy girl, just because

We can tell already this movie has a ton of elements we are used to, but the third act reveals something even more familiar--this is when our "Jim Jones" vibe is brought to life completely, as most of the rest of the story plays out as a reenactment of the very real Jonestown Massacre of 1978. With all that said, naturally a lot of what happens is fairly predictable, but don't dismiss this movie quite yet. Surprisingly, the acting is rather good here--more surprisingly, it's a halfway decent found footage film that bypasses the standard of the characters dropping F bombs to express fear, choosing to take a much smarter route. The film also does a nice job building tension--the music helps this tremendously, as it adds to a general uneasy feeling. There's not a lot of blood and guts in this movie, but there is a scene or two that will grab your attention in this category. If you see Eli Roth's name above the title, don't be fooled--his contribution is strictly as a producer, as the movie was written and directed by Ti West. The ending is, sadly, predictable and uninteresting, but even with this, The Sacrament turned out to be better than I expected it to be, and it stands head and shoulders above most found footage films of the past ten years...not that this is a great compliment. 

On A Scale Of One To Ten: 6

The Sacrament Movie Trailer

THE FINAL TERROR (aka Carnivore0

The Final Terror Movie Review

A group of campers and rangers head deep into the forest for a getaway, but find themselves stalked by a vicious killer. This 1983 film can fittingly be deemed a combination of Deliverance and Friday the 13th...only not as good as either. The movie does come out of the gate hot, as we see a couple on a motorcycle offed in unusual manners--the girl especially meets a wicked fate. From there, we meet the would-be victims for the rest of the film, and there are a lot of them--sadly, most live, making one wonder why they went with so many throwaway characters but didn't kill them off? 

"Don't ask me. I wanted to kill them all!"

Speaking of the campers, there are surprisingly some familiar faces here. Daryl Hannah (Blade Runner, Splash) is probably the biggest name to come out of the film--in fact, this movie was shot in 1981 and shelved until 1983, being released as Hannah's star began to shine. Joe Pantoliano (Risky Business, Memento) kind of steals the show (as he tends to do) as the insane Eggar, and fans of The Jeffersons will recognize Ernest Harden Jr. Rounding it out is Mark Metcalf, and if you ever saw him in the Twisted Sister videos and wished somebody would kill him, this movie has what you've been craving.

"What do you wanna do with your life?!"

The main drawback of this The Final Terror is the lack of anything of any substance happening--specifically, it is a slasher film with few kills and practically no scary moments. There is little character development to compensate for this, resulting in the campers being rather interchangeable. There are some nice shots of the woods and a river, and one scene involving a raft that is cool, so that will help get you through the movie. The few death scenes we see present decent effects. The final scene is anti-climatic, but it does offer a shot that is both unique for its time and well done. Watch it to see some stars early in their careers, and for the interesting directing, but there's not much more to see here.

On A Scale Of One To Ten: 5

The Final Terror Movie Trailer